| By Ellen-Rae Cachola November 2, 2008
 
 **Read by Cachola at the Women for Genuine
                      Security Open House, Walking on the Fenceline –November 17, 2008, Manilatown Center, San
                      Francisco USA
 Migrant worker chooses to leave son behind Carries his screams and cries in her luggage
 And even though his mangled wails grow distant,
 Overwhelmed by the whining of the tricycle motor,
 Demands of a work ethic churn in her soul
 Oiled by industrialized dreams that build pathways
 Out of the barangay, provincial limits.
 She dares to transgress. Not for herself
 But for her descendants.
 Crossing the borders out of the mother land
 She becomes a mother without land.
 Her child, a scent perfuming the clothes on her back.
 It took her 2 days to fly to Jordan. She waited half a day at the recruiter’s office.
 The men that passed in and out
 Looked at her and raised their eyebrows.
 They would speak in their language.
 But the word Maganda would trigger her ear.
 She swung her head to see who said it
 And two of them would look at her.
 She was driven by a chauffer to a house A woman with a shawl covering her head
 Waited at the door.
 She did not shake her hand or hug her.
 Migrant worker was told in accented English
 You follow me.
 Back turned to her upon entrance.
 Work began.
 Little room with no windows
 Right next to kitchen.
 Big kitchen, one window above sink.
 Modern refrigerator
 Those stoves with no coil but underneath flat plastic surface
 Marble floors.
 Beautiful, Tagaytay home, she thought.
 And the closet of brooms, mops came tumbling from the closet.
 Welcome,
 the madam said.
 At night, Migrant worker would cry
 Smelling her night dress
 Her son all around her…
 The door opens. The Master of the house.
 He pulls the beaded string from the ceiling
 And the bulb that hangs
 shines a violent bright.
 Stings her eyes.
 He says,
 I want to look at you.
 She sits up from her bed
 Looks at him, squinting
 Hands cupped over her eyes.
 She can see him smile
 Lick his lips
 And come forward.
 She begins to whimper
 As he gets closer
 She turns her head and hopes for the madam to come
 She cries -- Madam
 And he slaps her
 She sits with her hand on her cheek
 And he grabs her by the wrists
 And pushes her to lie down
 While she wriggles
 And cries
 And says no. po.
 Haan. No. po
 An jiakayat.
 Haan,
 Oh god. Stop..
 Haan!
 Legs pried open With his knees that dig deep
 Into her thighs
 The sharp pain of a Charlie horse
 Stab her heart
 Like his tongue intruding
 Her mouth
 Breath of cigar,
 Some liquor
 Some musk cologne…
 Ripped panty
 Buckle snapping off
 And penetration
 Gone… She is gone
 Away from home.
 Only the memory of her son
 Growing distant and blurred
 Like looking through a water droplet
 Dripping down the tricycle’s plastic window
 And his face wet
 In the rain
 Calling out Mama
 While she whisks herself away
 Heartbeat in rhythm with the clapping
 Of the gasoline engine
 Sputtering the lies of quick cash
 But enough to buy some chiclets.
 Son,
 so you won’t have to sell them no more.
   
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